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dc.contributor.authorInskip, Charlieen
dc.contributor.authorMacFarlane, Andyen
dc.contributor.authorRafferty, Paulineen
dc.coverage.spatialGR - Κέρκυραen
dc.date.available2014-03-19T08:32:04Z
dc.date.issued2009
dc.identifier.urihttp://hdl.handle.net/10797/14065en
dc.descriptionΠεριέχει το πλήρες κείμενοel_GR
dc.description.abstractCreative professionals search for music to accompany moving images in films, advertising, television. Some larger music rights holders (record companies and music publishers) organise their catalogues to allow online searching. These digital libraries are organised by various subjective musical facets as well as by artist and title metadata. A facet analysis of a number of queries is discussed in relation to the organisation of the music in these bespoke search engines. Subjective facets such as Mood and Genre are found to be highly important in query formation. These findings are discussed in relation to disintermediation of this process. It is suggested that there are a number of barriers to this, both in terms of classification approaches and also commercial / legal factors.en
dc.language.isoengen
dc.relation.ispartofWorkshop on Exploring Musical Information Spacesen
dc.rightsinfo:eu-repo/semantics/openAccessen
dc.source13th European Conference, ECDL 2009en
dc.titleTowards the Disintermediation of Creative Music Search: analysing Queries To Determine Important Facetsen
dc.typeWorkshopen
dc.subject.JITAΔιαχείριση υπηρεσιών, λειτουργιών και τεχνικών πληροφόρησηςel_GR
dc.subject.JITAInformation treatment for information services, Information functions and techniquesen
dc.contributor.conferenceorganizerLaboratory on Digital Libraries and Electronic Publishing, Department of Archives and Library Sciences, Ionian Universityen
dc.identifier.JITAIZen


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