dc.contributor.author | Bressan, Federica | en |
dc.contributor.author | Canazza, Sergio | en |
dc.contributor.author | Roda, Antonio | en |
dc.contributor.author | Orio, Nicola | en |
dc.coverage.spatial | GR - Κέρκυρα | en |
dc.date.available | 2014-03-19T10:54:35Z | |
dc.date.issued | 2009 | |
dc.identifier.uri | http://hdl.handle.net/10797/14066 | |
dc.description | Περιέχει το πλήρες κείμενο | el_GR |
dc.description.abstract | This work presents the problems addressed
and the first results obtained by a project aimed at
the preservation of Interactive Music Installations (IMI).
Preservation requires that besides all the necessary components
for the (re)production of a performance, also the
knowledge about these components is kept, so that the
original process can be repeated at any given time. This
work proposes a multilevel approach for the preservation
of IMI. As case studies, the Pinocchio Square (installed in
EXPO 2002) and the Il Caos delle Sfere are considered. | en |
dc.language.iso | eng | en |
dc.relation.ispartof | Workshop on Exploring Musical Information Spaces | en |
dc.rights | info:eu-repo/semantics/openAccess | en |
dc.source | 13th European Conference, ECDL 2009 | en |
dc.title | Preserving today for tomorrow: a case study of an archive of Interactive Music Installations | en |
dc.type | Workshop | en |
dc.subject.JITA | Τεχνικές υπηρεσίες σε βιβλιοθήκες, αρχεία και μουσεία, Ψηφιακή διατήρηση | el_GR |
dc.subject.JITA | Technical services in libraries, archives and museums, Digital preservation | en |
dc.contributor.conferenceorganizer | Laboratory on Digital Libraries and Electronic Publishing, Department of Archives and Library Sciences, Ionian University | en |
dc.identifier.JITA | JH | en |